Siegmar Fricke – Metaprogramming [Stadtgruen]
February 27, 2007
Track list:
1. Vasomotric Origin
2. Nephrocalc
3. Neuromechanik
4. Plantiflector
5. Conjunctival Dermoid
6. Astrocytomachine
7. Ofargo I Mortcele
8. Spinaltraum
Siegmar Fricke’s latest release on Stadtgruen is a fine offering of eight “pharmakustic” pieces, to use the concept forged by the musician to describe “reduced and syncopated rhythmic patterns clinically filtered ambiences generated by sampling-technology, electro-modulated voices and linear structure”, in which “automatic rhythm sequences are digitally dissected by bit-crushing and organic ambiences are constantly morphing by trembling waveforms and pitch-curves of complex effect periphery.” Another brilliant demonstration of that musical approach can be found on Pharmaceutik 06, Fricke’s previous release on Test Tube.
Digital minimalism is the keyword here, with titles that hint at some kind of man-machine hybridization, in the most clinical sense. The tracks on Metaprogramming bear similarities with electronic endeavours such as Monolake’s, with groups of repetitive, metallic rhythmic structures slowly evolving against an underlying harmonic tapestry. What makes Fricke’s music interesting and enjoyable is the tension it manages to build and maintain between opposites (coldness/warmth; darkness/light; living/dead; organic/mechanic…)
Metaprogramming is also beautiful because it bursts with a special energy, that at times reminded me of Morph’s (aka Damon Wild) Stormwatch, especially on track 6, “Astrocytomachine”, a personal favorite (along with “Ofargo I Mortcele”).
Klotzsch & Sudermann – Holzlaub [Autoplate]
February 20, 2007
Track list:
1. Viburnum Farreri
2. Córylus Avellána
3. Cornus Mas
4. Thuja Plicata
5. Amelánchier Ovális
The album is built around electroacoustic guitar improvisations by Sudermann, which were digitally treated and used by the two musicians as the raw material for electronic “metaimprovisation” sessions, from which the tracks (each named after the Latin name of a tree) derive.
The ambient Holzlaub distillates is cinematic, romantic, almost “noir” at times (especially on tracks 1 and 5). The album stands out by the use it makes of percussive elements, intricate melodies and song structures, which are often reminiscent of “traditional” music (especially on tracks 2, 3 and 4), and manage to create the impression of listening to pieces from imaginary folk repertoires.
All in all, subtle and rewarding music, which succeeds in captivating its audience into its organic and intimate universe.
